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Johann Sebastian Bach’s Fugue 16 in G Minor is an example of a conventional fugue. What is interesting about this piece is that the body of the fugue is comprised of fragments of the subject and countersubject. The material within the episodes are a unique to this fugue. Also, inversions are found in key spots within the piece, and also create a similarity between the answer and countersubject.

The piece starts in D major and has a lively rhythm. The piece begins like a fugue due to the subject in the first two bars. There is a fugue answer in bars 3-4 because its a replica of the subject a perfect 4th lower. The opening to the piece is the subject theme and has the use of quavers and semiquavers. The Violin parts contain rhythmic.

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The long trills on the high notes also help to create tension. Sequences in mm. 11-12 help to modulate to G minor key which is closely related key to both F major and D minor. In m. 12, the long trill starts in the right hand. In m.13, the third voice is added to help to build up tension. Two tritons are formed in the two upper voices e’-b’ flat and e’ flat-a’. In m. 14 the pedal point.

A minor and F major are bravely posed for a coloristic approach to B major by thirds. The six four inversion of B major offers an accurate arrangement, the sonority is like bell-ringing, and the rhythm is disoriented. This unstable chord fulfills the function of closure normally supplied by a triad in root position. The root of this B major chord is then repeated in the bass as an unexpected.

The String Quartet in F Major, Op. 135 is Beethoven's last string quartet as well as his last complete opus in any genre. He finished it in October of 1826, not many months before taking his last breath in March of 1827. It is the final work of the greatest cycle of string quartets in history that began with six worthy successors to Haydn and Mozart (Op. 18), exploded with the three.

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The BWV 851 fugue in D minor is an excellent example of effective use of contrapuntal techniques like transformation by inversion or contrary motion, invertible counterpoint and stretti. Exposition. The fugue is a three voice fugue. Motives from the subject will be used throughout the fugue:. We will use the letters a and b to identify the motives. Motive b will often be subdivided, so we.

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